Curb Records Special

First Published October 2021


Celebrating 56 years in business, Curb Records is one of the world’s leading independent music companies. Owned and operated by Mike Curb since 1964, Curb has achieved a staggering 435 number-one singles, over 1,500 hundred Top Ten hits and charted over 4,500 records in total. Curb Records has been influential in the careers of some of the biggest names in country music, including Tim McGraw, Hank Williams, Jr., Rodney Atkins, LeAnn Rimes, The Judds, Dylan Scott, Sawyer Brown, Wynonna, Lyle Lovett, Jo Dee Messina, Hal Ketchum and Desert Rose Band, to name only a few. Their current roster includes some of the top names across multiple genres of music, with one of the biggest on the country side of things being one LEE BRICE. 

Bricerecently took the top spot at U.S. country radio with his current single, Memory I Don’t Mess With, a track taken from his hit 2020 album Hey World. Written by Brice, Brian Davis and Billy Montana, the song hit a chord with audiences as it evokes both a nostalgic look at your life and reminds us that some memories are best left preserved in the past, untarnished. 

When Brice isn’t selling out arenas, writing and recording songs, or building new brands like American Born whiskey, you’ll find the family man with his wife Sara, their two young boys, and their daughter. With over 3 billion on-demand streams, and over 3.6 billion spins on Pandora, Brice has been enjoying massive success at digital streaming services, as well as at country radio and on the road. His recent  #1, the aforementioned Memory I Don’t Mess With, followed three prior chart-toppers; One of Them GirlsI Hope You’re Happy Now with Carly Pearce, and Rumor, a record which was also nominated in the category Single of The Year at the 55th Annual ACM Awards. 

Brice, in fact, is one of the most-played country artists of all time on the Pandora platform, and was the second country artist behind Keith Urban to receive the Pandora Billionaire plaque. Lee is also a GRAMMY nominee, a CMA and ACM award winner, all on top of his nine #1 radio singles, A Woman Like YouHard to LoveI Drive Your TruckI Don’t DanceDrinking Class, keeping company with those we’ve already named. Brice is also a talented songsmith in his own right, Garth Brooks, Jason Aldean, Kenny Chesney and many others have taken his songs into the studio. Brice has performed on numerous TV shows, including NBC’s Today, ABC’s The Bachelor, NBC’s The Voice and FOX’s Miss USA 2018, and also performed as part of the Library of Congress Gershwin Prize for Popular Song honoring Garth Brooks which aired on PBS in March 2020. 

At the 54th Annual CMA Awards, Lee took home the prize for Musical Event of the Year for his song with Carly Pearce, I Hope You’re Happy Now, while at the 56th ACM Awards that same record won Single of the Year and Music Event of the Year, with Lee and Carly Pearce performed the song live. 

Also on the Curb Records roster are duo Rod + Rose (Rodney Atkins and Rose Falcon), and their latest offering is the commitment-filled ballad, Put Me Back Together, which dropped earlier this month. Described as a slow-burning track, the release previews the couple’s forthcoming and self-titled EP,  which is due for release in late January 2022. 

Together, Atkins and Falcon—married since 2013—are an unstoppable force in life, love and music. She was a rock ’n’ roll princess who was offered a record deal at just 15 and has since written songs which have been recorded by Faith Hill, Lady A and Eric Paslay. He is an established country voice and a working man’s songwriter – the kind who understands how real people feel – with 6 #1 hits to his name, many of which topped the charts for four weeks plus. And now, for the first time, they’ve joined creative forces in an official capacity for Rod + Rose.

Rod + Rose have been singing side by side for years and share two sons: Ryder and Scout. Most recently, the duo co-wrote several tracks for Atkins’ latest album, Caught Up In The Country, whose gold-certified title-cut, featuring The Fisk Jubilee Singers, set the record (at the time) for the longest-running single in Billboard Country Airplay history at 57 weeks.

New single Put Me Back Together was written by Caitlyn Smith, Trevor Dahl, Brenton Duvall, Johnny Price and Kiara Saulters, and was originally performed by electronic music trio Cheat Codes, featuring Kiara, but the lyrics read like the Cliffs Notes to Rose and Rodney’s real life love story. “To me”, observes Falcon, “it’s a song about falling together instead of falling apart during difficult times. 2020 was a challenging year for us and most everyone we know, but we got through it. When life gets messy, we lean on, and into, each other. We aren’t perfect, and it’s not always butterflies and roses; but we stick together, and at the end of the day, we can laugh at all the crazy times we have been through.”

Atkins produced the track alongside Seth Mosley (who has also worked on projects with High Valley, and for KING & COUNTRY), and it follows Rod + Rose’s debut offering, Being Here, Being There which came our way back in August. 

Together, Rod + Rose offer the merging of lean writing and pure poetry, straight up country intertwined with a little bit of roots, a perfect merger of love, songs, life and the way two people from different places perfectly complement one another. In a world where differences often drive a wedge, these two use those things to create a whole that embraces it all. And they sound so good doing it.

Now, one of the complaints often levelled at modern day country music – especially where male artists are concerned – is the number of songs that talk about trucks, girls, and beer. And that’s definitely a valid argument, no question about it. But just because a record happens to mention a truck, doesn’t mean it’s automatically a bad song. Like so much in life, it’s all about how you do things. And Curb’s DYLAN SCOTT does it pretty damn good on one of his latest cuts, New Truck. At radio now, the single had already clocked up over 13 million streams by the start of this month when Scott also dropped the ‘live’ video, taking that chance to celebrate being back on the road playing to fans, and using exclusive behind-the-scenes footage from his current shows.

“The first time I heard ‘New Truck,’ it sounded different than anything else I was listening to,” the Louisiana native shares. “We’ve all been in a situation where you and your significant other have broken up, and it’s tough. Every time you get back in your truck, you go back to certain memories of them in there as well. So this song is saying, ‘Man, I need a new truck to quit thinking about her.’”

The release of that New Truck live video follows the release of new single Static back on October 1st. “‘Static’ is a song that relates to a lot of people’s lives, including mine, to a T,” explains Scott. “You grow up in a small town, and all you can think about is leaving that small town, chasing a dream, chasing a dollar, moving to a bigger city. And once you get there, it’s all great. But sometimes you’ve just got to get back out in the middle of nowhere, back to your roots, where there’s nothing but a little static on the radio.” Both New Truck and Static were penned by HARDY, Hunter Phelps, Ben Johnson and Ashley Gorley.

Currently wrapping up a stint touring as the main support for Luke Bryan’s Proud To Be Right Here Tour, 2021 CMT Music Award winner Scott is the total package—a powerful singer with a deep, resonating drawl; an old-soul songwriter with a young spirit; a heartthrob with an easy smile; and a dreamer who followed in his father’s footsteps to Nashville. The double platinum-certified My Girl became his first #1 at radio, followed by platinum Top 5 single, Hooked, then his latest #1, the gold-certified Nobody. His Nothing To Do Town EP hit #1 on the Billboard Country Album Sales chart, and the project’s title-track has been certified RIAA gold, as was his self-titled debut album. 

With career on-demand streams having already hit a staggering 1.2 billion, the Louisiana-native has headlined shows and opened for Garth Brooks, Luke Bryan and Chris Young. Scott garnered his first career nomination for Best New Country Artist at the all-genre 2019 iHeartRadio Music Awards and was named among Country Radio Seminar’s coveted New Faces of Country Music Class of 2019. Additionally, he released a seven-song EP honoring legendary singer/songwriter Keith Whitley with An Old Memory (A Keith Whitley Tribute). 

Memory I Don’t Mess With by LEE BRICE, Put Me Back Together by ROD + ROSE, and Static by DYLAN SCOTT, are all OUT NOW. 




Press Release via AS Written, October 2021


As ‘live’ music continues to make a long-awaited comeback, fans in the midlands are looking forward to welcoming country music star ALEX ROE back to the stage for this year’s CANAL QUARTER FESTIVAL on THURSDAY, October 21st. 

          The festival, organised by Hugh Lynch’s Bar in Tullamore, returns for the first time since 2019, and will see Clara’s country star Roe get the whole event underway before the legendary WOLFE TONES take to the stage later that evening. For Roe, the chance to return to the Canal Quarter Festival – essentially a hometown gig of sorts, given that he lives in nearby Clara – is one of the moments that helped him get through the difficult and often monotonous days of ‘lockdown’…

        “Playing the Canal Quarter back in 2019, before the world went mad there for a while, that’s still one of the best memories of my career so far. It’s right up there with getting to the final of Glór Tíre and winning my first Hot Country award. I absolutely love being on stage anyway, and having an audience to play to, but when it’s a festival like this, that takes everything up another level as far as enjoying it goes. It’s just something else altogether. And that was before everything that’s happened since March of 2020. That’s how much it meant to me then, before we all realised that music – that doing what we love – could actually be taken away from us. So come Thursday night when I get a chance, at last, to finally do it again…it’s going to be amazing.” 

“All over the lockdowns”, confessed Alex, “when none of us knew if we were coming or going, or when we might be able to feel like life was normal again, I’d often think back to nights like the Canal Quarter Festival and I swear, just remembering that kind of buzz would bring a smile back to my face. So I’m really delighted that Emmet asked me to come back and be part of things again this year.”

          Alex continued, “Emmet and his team put on such a great event anyway, but this year is going to be extra special. It’s a moment that we’ve all been waiting for, to be able to do something like this again. It’s not just about someone like me as a performer. It’s about Emmet and people who put on these festivals and make them possible. It’s about the guys who’ll be setting up the stage. It’s about the people who are running sound and lights. And, of course, it’s about the fans who come along to take it all in, and who provide every event with its atmosphere, ya know. We’ve ALL been waiting for a chance to do this again. And I can’t wait to be back in the middle of it all. It’s going to be a very special night, and a very special weekend all round, I think.” 

~ ALEX ROE performs at the CANAL QUARTER FESTIVAL on THURSDAY, OCTOBER 21st. For more info on the full festival line-up and tickets, check out You can follow Alex at Alex Roe Music on Facebook. 




Press Release via AS Written, October 2021


Most of us have spent the last nineteen months or so wishing for some way to transport ourselves back in time, back to before masks were a must-have when leaving home, and before things like social-distancing had to be factored into all of our plans. Most of all – especially for all of us who live and breathe music in so many ways – we just wanted to have music back in our lives again. That feeling of longing, of nostalgia, of better days left behind us, is what BACK IN ’68, the brand new single from DONIE O is all about. 

Written by his fellow Tipp man, the late John O’ Connell, BACK IN ’68 – in normal times – would have a touch of lonesome hidden in its grooves anyway, name-checking as it does, so many of those venues of lore and legend nationwide where an incalculable number of hearts first danced their way into range of Cupid’s bow. Back in 1968, however, none who graced floors such as that of the Emerald in Ballinasloe, the Majestic in Mallow, the Astor in Castleisland, Dundalk’s Adelphi, the Sound of Music in Glenamaddy, or – one well-known to Donie O himself – the Premier in Thurles, would ever have believed the kind of world we’d have in our rear-view mirrors come 2021. But here we are…

And where we are, is on the move again! Slowly but surely, we can finally hear the music begin to lift us once more. And that’s where the magic lies in Donie O’s recording of BACK IN ’68. For those who can still feel the glow of those golden 20th century days and nights, this song is like running into an old friend after too long apart, something we can all relate to now. But at the same time, for those whose memories have travelled a shorter stretch of road, but for whom the last nineteen months will certainly never be forgotten, the emotions at the heart of this record are theirs too. 
This is a song to remind the listener – every listener, especially now – that life must be lived forward. Yes, we can remember, and yes, we should remember. We are, after all, every moment we have lived. But let us remember this too: we’re not done living yet! 

While Donie O’s vocal, perhaps his most passionate yet, will call to mind the likes of the Las Vegas in Templemore, the Carlton in Kilkenny, the Atlantic in Tramore, or maybe the Crystal in Dublin, its message is not that our memories are all we have. Far from it. No, its message now, in 2021, is that we still have so many memories yet to make, so that come tomorrows yet unseen, we’ll have more songs like BACK IN ’68, reminding us that while we might glance back every now and then, we live moving forward. And we keep smiling, and we keep dancing as we go…because after all…

Wasn’t it great in ’68/ To have been around back then…” 

And it was. But as Donie O reminds us, “The best is always yet to come.”

BACK IN ’68, the brand NEW single from DONIE O is now available to request from radio stations nationwide, and will be general-release on all platforms from FRIDAY, OCTOBER 29th. For info on pre-adding/pre-saving his new single, follow Donie O on Facebook, Instagram, and Twitter at @donieomusic, and at 


Outdoor Country Music Festival


Press Release via AS Written, October 2021


September’s Outdoor Country Music concert which featured a line-up of Irish country’s star-names at DON’S BAR in Moate, has raised an incredible  €11,382.36 for the KEVIN BELL REPATRIATION TRUST (KBRT). The presentation of the cheque took place recently with some of the event organisers – Aidan Higgins, Dolores Burke, and Tom Duffy – meeting with the late Kevin Bell’s parents, Colin and Eithne. 

The concert took place on September 12th last, featuring performances from TR Dallas, Larissa Tormey, Olivia Douglas, Alex Roe, John Molloy, Shane Moore, and David Mills, and the iconic Seamus Moore. It came in response to tragedies suffered by three midland families – the Duffys, Higgins, and Burkes – each of whom had their own heartbreaking reasons to be thankful for the service provided by the KBRT earlier this year, as Tom Duffy explained in the run-up to the concert…   


My first cousin, Michael Burke, who lived on the Clara Road (out of Moate), died unexpectedly in Liverpool on February 17th this year. And by an untimely coincidence, that was the same day that his aunt Carmel, my own mother, was buried. To make matters even worse, though, that came just five weeks after Carmel’s brother Sean, who was Michael’s father, also died suddenly at his home on the Clara Road, on January 11th. As well as dealing with the shock of a wholly unexpected double-blow, the Burke family were faced with having to pay for two funerals in little over a month. Having heard about the KBRT, I contacted them and it was Colin Bell who answered the phone himself.”

The KBRT is named in memory of Colin Bell’s son, Kevin, a GAA player from Newry who was only twenty-six years old when he was killed in a hit-and-run traffic incident in New York in June 2013. Colin, and Kevin’s mother, Eithne, were not only faced with the horror of hearing that one of their twin boys had been mown down and left for dead, but they were also faced with the logistical nightmare of trying to organise the return of their beloved son’s body to Ireland, and the huge expense involved in making that happen. Overwhelmed by the generosity of their local community which raised an amount far greater than Kevin’s repatriation cost, Colin and Eithne founded the Trust in memory of Kevin, using the surplus monies there was to get the KBRT up and running. The aim of the KBRT is to support other families who suffer the hurt and hardships of losing a loved one abroad unexpectedly.      


Since its formation in 2013, the KBRT has repatriated 876 loved ones to their families in Ireland, from countries as far away as Australia, Argentina, the United States, South Korea, Canada, Ecuador, Cambodia, India, and Uganda, as well as Britain.     


For the fantastic work of the KBRT to continue”, observed Mr. Duffy, “it depends on the goodwill of those who have received the help of the KBRT to put something back in the kitty. That’s why some of us got together to organise the festival at Don’s Bar.”

Mr Duffy continued, sharing the story of how help from the KBRT had been forthcoming as soon as contact was first made.

“On hearing how this tragic series of events had unfolded, Colin Bell immediately offered the assistance of the KBRT to help get Michael Burke’s remains home. From then on Colin undertook the task of organising Michael’s repatriation, with the very much hands-on help of Aidan Higgins, Michael’s uncle, here at home in Ireland. I have to say, Colin Bell was true to his word in every way, and Michael’s remains were returned a fortnight later, about the normal timescale for the arranging of a funeral in Britain. The Burke, Higgins and Duffy families here in Moate and Tubber, were so grateful to the KBRT, and everyone was delighted to be able to do this for them. And of course, we couldn’t have done it without all of the artists who performed on the day, and everyone who bought tickets and came along to enjoy the music. So we’re very, very thankful to everyone who played their part in helping such a worthy cause.”


Photo Attached (L-R)Aidan Higgins, Eithne Bell, Dolores Burke, Colin Bell, Tom Duffy

Norman Borland


Press Release via AS Written


With a brand new album well in the works, and an ever-growing fanbase awaiting its release, NORMAN BORLAND has treated fans to another flavour of what to expect with his latest single, WORKING WOMAN (written by Jerry House).Recorded once again under the expert-eye of Brian Kerrigan at Harmony Recording Studio in Donegal, fans of Irish country music might remember the track from Mick Flavin’s 2017 collection, Country And Gospel. Indeed, that’s where it first came to Norman’s attention as well…

“I’ve always been a huge fan of Mick’s, that’s why it was such an honour to record our version of ‘The Little Mountain Church’ with him last year. We got such a brilliant response to that single from fans, and amazing support from radio too. It’s had well over 4oo plays along the way. I’ve always listened to Mick’s work, as a fan first and foremost, but with my professional hat on as well, I suppose. And I remember loving ‘WORKING WOMAN’ the very first time I heard it on Mick’s ‘Country And Gospel’ album. It went straight into the notebook as one to take into the studio sometime. And that time finally came around while working on this new album.” 

The last year or so has seen Norman become one of the busiest recording artists on the Irish country scene, with WORKING WOMAN set to become his seventh single in that time. As well as his aforementioned duet with Mick Flavin, there was also his Friends Like Us duet with Patricia Maguire, Ain’t NoLittle Thing which featured Gerry Guthrie, as well as Broken The Line, Loving You’s Like Coming Home, and Healing Hands. 

“What can I say”, laughs Norman, “I love the studio! Apart from being on stage and in front of an audience, that’s my happy place!”

While most of the new album – so far untitled – is already in the can, he might not be finished in the studio just yet…

“Well I thought we were finished, but at the same time, I was asking myself was there another piece to this jigsaw that I still needed to find to make it the complete picture of what I wanted the album to be. Then, out of the blue recently, a really wonderful opportunity presented itself to work with someone who is a genuinely gifted songwriter. I won’t say too much about it just yet, because everything is still a work in progress right now. But we’re going through some of his songs at the moment, and for a guy like me, who prides himself on being a traditional country singer singing good old-fashioned country songs…let me tell ya, I’m in my element. These songs are something else. We’ve definitely found the perfect way to make the new album complete.”

With that new long-player now likely to come our way early in 2022, WORKING WOMAN offers fans not just a flavour of what to expect from that collection, but a reminder of the kind of artist Norman is…a country singer singing country songs. And that’s exactly the kind of country singer we all like best. 

WORKING WOMAN, the brand NEW single from NORMAN BORLAND, is now available from all platforms, and also to request from radio stations nationwide. For more info on Norman, visit