Emma Donohue

First Published April 2021

BRIGHT LIGHTS, WELLIES, AND COFFEE WITH ISLA GRANT

By the time you’re reading this for the first time on the morning of Wednesday, April 7th, the line-up for the Grand Final of the 2021 series of GLÓR TÍRE will have been decided. And depending on how things went in last night’s semi-final of the long-running TG4 TV show, the mood around Killoran in Galway could be one of either elation or heartbreak. But, regardless of what’s been or what’s yet to come, two things are certain as far as student-nurse EMMA DONOHUE is concerned.


The first is that – whether last night turned out to be her last performance or whether she’ll be back next week with her mentor MIKE DENVER to try and claim the title – Glór Tíre is just another step along the way in her music career. Her time on Glor Tíre will eventually come to an end one way or another, but her career is still only in its infancy. And make no mistake about it, the name of Emma Donohue is one that will be spoken about on the Irish country music scene for many a year to come. The second thing that’s for certain for Emma…is that there’ll still be work to do on the family farm! 


“You could hear a duck, a rooster, a cow, a dog, you could hear anything! And you could hear Mammy roarin’ in ten minutes! [Laughs].” 

That was Emma’s response to my question about the array of background sounds coming down the phone-line when we spoke on Saturday afternoon as she prepared lunch for her family. Multi-tasking could well be this girl’s middle-name! Exactly how well Emma keeps her feet on the ground will be revealed in a story later on in our chat, but for now, let’s just say that this rising young country music star is just as comfortable living life in high-heels and under the glow of the spotlight, as she is in her Wellingtons and going wherever those boots need her to go. 


Her latest single, a stomping cover of the Isla Grant hit LOVE ME TONIGHT has just been released, and to immediate acclaim from the legendary songwriter herself among others. Emma continues to juggle the life of a student-nurse who’s both working on the front-line during this pandemic as well as studying for her upcoming exams, with that of a recording artist, and with the commitments that come along with playing a central role on a show like Glór Tíre. The fact that she takes it all in her stride not only tells you everything you really need to know about the twenty-one year old, it also proves that she’s right where she’s meant to be in her life. 


This year’s series of Glór Tíre followed the 2020 edition in running into an unplanned but not altogether surprising need for a Covid-related pause in proceedings. As our chat began, I wondered how much did that unscheduled break in the show affect Emma and her campaign? 


“Well, obviously I was disappointed when it did take a halt, but I’m happy now that it’s back on again. I didn’t stay idle or anything during the last few weeks, though. I wasn’t planning on releasing my next single until after the show, but when the opportunity arose, I just said, ya know what now, while we’re on this break, let it go and let it fly! So I’ve been working on that single and the campaign for that. And I suppose it’s after tying in very well with radio now that Glór Tíre is coming back again. So it all fell into place nicely.” 

Going into Tuesday night’s semi-final (again, last night, if you’re reading this on publication day), how was Emma feeling about being back in front of the cameras again? 


“I’m feelin’ good about it, yeah. I’m excited to get back. When you get so used to something every week, and I suppose you develop that routine, when it’s taken away from ya it leaves ya on the down-side of things. But when you know you’ll be getting back into it again, it’s a ‘go, go, go!’ situation. I’m lookin’ forward to it. There’s a few butterflies, but that’s only natural, I think. It’s all good.” 

At what stage on Tuesday night did Emma think it might hit her that she was actually in the Glór Tíre semi-final, and that her next time in front of the cameras could…potentially, and God-willing…be for this year’s Grand Final?


I think as soon as I stand on the stage on Tuesday, it’ll hit me! [Laughs]. I don’t think it’s even quite hit me at all yet either. Everywhere I go people are saying congratulations on being in the semi-finals, we can’t wait to see ya, ya know. And I’m just goin’, oh yeah, grand! [Laughs]. But yeah, when I’m standing on the stage with the mic in my hand, then I’m going to realise, right…this is for real! [Laughs].” 

So what has the level of support been like for Emma locally in and around her native Killoran in Galway? 


“It’s been huge. I didn’t expect it! The level of support from the wider community has been absolutely huge. If I go to Tesco or anywhere in Ballinasloe, everyone is wishing me luck, they’re all coming up to me. It’s great, because there’s a good auld buzz when it’s goin’ on. But it’s definitely unexpected. You feel like you’re a local celebrity, even though you’re only from Killoran! [Laughs].” 

From always being a fan of Glór Tíre in years gone by, to actually being part of the show this year, how different has it been from how Emma thought it might be? 


“Well, obviously it’s very different this year because you can’t go around gigging and things like that. And unfortunately the duets with our mentors were pulled as well due to social-distancing, and that was a bit disappointing. But I have to hand it to Glór Tíre and to all the staff and to all the crew that’s working on it, they’ve been absolutely mighty. Anything that you need, or that you want, they’re there on hand. They’re so helpful. It’s like a big family, is how I describe it. Anything you need in any way, shape, or form, they don’t bat an eyelid, they just sort it out. And that does add to the whole experience of it, because it makes it a lot more fun, and for you – as the contestant – it puts you a lot more at ease.” 

While Glór Tíre is undoubtedly a great platform for any new artist to showcase their talents, it’s so important to also have plans for after the show comes to an end. And in that regard, Emma definitely has a few things up her sleeve…


“Yeah, I’m currently working on my album, so when restrictions lift, hopefully I can get back into the studio. I’m working on that with Enda Dempsey and Paddy Jordan, and all going well, I hope to have it out next year. If not, definitely very early in 2022. There’s a lot of lively songs comin’ on it, a lot of well-known songs as well, that people will like. So I’ll be focusing a lot on that. We’ll plan as much as we can for the future, but it’s still unknown territory whether we’ll be back gigging or anything like that. But if an opportunity arose where there was an outdoor festival, I’d be willin’ to jump on that opportunity or anything else that might be goin’ on. I’d definitely get involved with things. But I suppose the album now would be my main focus. I’ll be gettin’ out more singles and music videos as well, if I can.” 

As far as that album goes, how set in Emma’s mind is the final shape that things will take? Or is there – and excuse the pun – still a little play in how that all might go? 


“There’s a little bit of play at hand, for sure. We haven’t finalised fully all the songs we want to do yet. I think there’s at least two that are in the mix for whether we’ll keep or whether we’ll leave for another day. It’s very much open at this stage. With this album I want it to be about me. As everyone probably knows, I’m a bit of a Jack-of-all-trades and master-of-none [laughs], but I do have that personality where I’m kind of happy-go-lucky, and go with the flow. But I want this album to portray the message I want to get out, bringing back old songs that haven’t been released in a long time, but put a new lease of life in them. But I want that to match who I am, so I suppose it’s trial and error as well. And I definitely want to put in an original song as well. Lookit, hopefully it will all work out!” 

Well Emma’s brand new single is certainly an older song that she has brought back to life again, and how! Love Me Tonight, written by the brilliant Scottish singer/songwriter Isla Grant, was a part of Isla’s Only Yesterday album nearly twenty years ago. And in the week just gone, as Emma’s version went to radio and was released, she even had a bit of a surprise from Isla herself…! 


“I did! We serviced the single to radio, to all the presenters, through Debra Dowler, at Debra Communications, and she did a fantastic job. And out of that, I actually got acknowledged by Isla herself, which was a huge, huge surprise! I had to look at it two or three times to see was it actually real [laughs]. But it was! She messaged me and said she was delighted with what I had done with her song, she loved this version of it, and she wished me luck in Glór Tíre as well. And then, through further emails, she said that one day when restrictions lift hopefully we’ll get to meet up for a coffee and a chat. So it’s a huge honour to be acknowledged by the woman who wrote and produced the song, but then to be invited for coffee when all this lifts was a bigger bonus! I was absolutely honoured that she loved what I did with her song. It’s always a risk when you do a cover of a song that was originally put out by the person that wrote it, because you don’t know if they’ll like it or not. To say I was on cloud-nine now would be an understatement!” 

Emma had mentioned his name a few minutes previously and when last we spoke, she had emphasised the importance of the role he plays in her career, both as a friend and as her producer. And as it happens, Enda played a big part in Emma’s decision to cut Love Me Tonight


“Yeah, he did. We had it narrowed down to three songs that we were going to do. And I was kind of humming and hawing about different ones. Ya know now when different personalities come together [laughs]. But Enda said, no now, Emma, this one is gonna be a good one. I remember him saying that he knew the guys who originally produced Isla’s recording with her back around 2000, so I think it had a sentimental meaning to him too. He said he’d been waiting for someone to do it for a long time, and he said to me, give it a go. So I said, do ya know what, let’s give it a shot. I was never ruling it out, I always wanted it to go on the album, and maybe put it out at some stage, I just didn’t know when. But he said it was going to be a good one, and I just needed to have faith in it. And he’s never steered me wrong yet. I’ve known him for a long, long time, through the dancing and everything. But as a producer, and as a best friend at this stage, he’s never steered me wrong in my music career. And the signs are on it, because the song is hopping on all the stations all week! I’m delighted.” 

I asked Emma how does that feel, hearing her latest single being played all over the radio? Especially as an artist who is still relatively new to the scene and trying to establish herself in a notoriously tough business…


“It’s an absolute pinch-me moment. It really is. Everytime. It’s a surreal feeling. You’re thinking to yourself, they’re actually talking about me! My song, my music, my work. And it’s great to be acknowledged. And ya know, I have to say, fair play to all the radio presenters and DJs, because without them up-and-coming artists like myself, who are trying to make our names on the scene, it’s very difficult at best. Without them, I wouldn’t be half as far along as where I am today. They keep country music alive. To be part of their play-lists on their shows, near and far, across Ireland and further afield, it’s definitely an honour. And it’s a huge experience, and huge exposure too.” 

Emma is still studying and working as a student-nurse right now, as well as living and working on the family farm, and running her Glór Tíre campaign while also building her country music career in a more general sense. That mix of different sides to her life led to a little bit of a funny encounter the very next day after the last ‘live’ show of Glór Tíre, as Emma recounted for me…


“[Laughs] After the last ‘live’ show, we came home and I was still in my lovely white dress, but that was short-lived because when we got home into the yard, Mammy was ready and waiting for work! We actually had two calves born that same night. So I was out of the dress fairly lively, and it was back into the wellies, and out the gap! [Laughs]. But the following day, unfortunately, we had a little calf that was under the weather and we had to go to the vet. And of course, Emma here was wearing wellies, a track-suit, not looking the best like she did the night before! I was sitting in the back of the trailer with the calf, waiting for the vet, and I was covered in…I won’t tell ya what! [Laughs]. Anyway, he came out, and he looked at me, and then he looked at me again, and then he said, ‘Were you not on telly last night?!’ I was, says I, and he goes, ‘Talk about a full 180 turnaround, goin’ from a white dress to being covered in muck in the back of a trailer!’ [Laughs]. But sure it made for an interesting day anyway. They were all laughing at me telling me I was a Jack-of-all-trades! But sure lookit, that’s part of life, it’s part of farming, it’s part of everything.”

As Emma takes a look back on the past year of living with Covid, working through so much of it on the front-line, and building her career as a new artist on the country scene all at the one time, what has she learned about herself that perhaps she might not have known before all of this? 


“Well, I definitely had doubts, I suppose, before even goin’ on Glór Tíre, about where I was going or how I was going to make a name for myself. And I kinda didn’t know what angle to take, or how to push myself forward. Glór Tíre has helped me in so many respects. I feel like I’m a politician like, asking them to vote for me [laughs]. But that’s good in a way, because I’m actually getting a lot more confident in myself, and I’m meeting a lot more people. And now I know that the support is there if I want it. It’s just about getting a campaign out there. And that’s something that I would never have done in my life. I’d never have been out asking for votes before, or putting myself out there in so many respects, so much so that my face is plastered all around county Galway and further afield! [Laughs]. Definitely it’s all been a huge confidence boost. I didn’t know myself that I could do it. I suppose…not fully believe, but I just wouldn’t have been the kind to just say, right, let’s do this. But now, this year – and I remember saying this to Enda, and to mum and dad – I said this year was gonna be my year for music. Regardless of Covid, and regardless of anything else, I am gonna give it everything I have! And let’s see if it pays off. And so far, so good. I mean, Isla Grant has contacted me about my version of her song, I’m on Glór Tíre in the semi-final, Mike Denver – a huge name in country music – picked me to be his contestant. So even to be able to say those things, in such a short time-frame, that’s a dream come true and certainly something that I could never have seen happening in 2020.”


To wrap things up, and of course, not yet knowing what the semi-final of Glór Tíre would hold in store, I asked Emma what message she’d like to pass on to her fans and supporters…


“Thanks a million! Just thanks a million for everything they’ve done so far. I know there’s been a little bit of a break and it can be hard to get back into things, but nothing goes unnoticed. I see everyone who’s sharing posts, I see all the ‘likes’ and comments, and shares. So I want all of those people to know that none of that goes unnoticed. Everything that they do for me, be it little or large, or whatever way they want to do it, even to spreading the word to their friends or their relatives, it all really helps. And you’re making my dreams come true. That’s something that I’m very grateful for. I don’t know how I’ll ever thank everyone who’s got me behind me. I’m excited, I suppose, to see what the future holds, and to see how Glór Tíre ends up and what happens after it!”

LOVE ME TONIGHT, the brand NEW single from EMMA DONOHUE, is OUT NOW, available on all platforms and to request from radio. You can follow Emma on Facebook and Instagram at Emma Donohue Music. 

ENDS

Donie O

NEWS

Press Release via AS Written, March 2021

NEW-LOOK WEBSITE SEES DONIE O EYE SUMMER SINGLE

With the clocks going forward last weekend and a new-look website up and running, country entertainer DONIE O is eyeing up a summer single in the coming weeks. 

          Although the ‘live’ music scene remains in a state somewhat akin to suspended animation, the show – in as much as it can – must go on. And with longer days rolling slowly in, Donie O is confident that brighter days are on the way back for the music industry as well. And while the exact details of how and when normality will return remain a mystery to all of us, there are two things the Roscrea native is very sure of. One, is that now is the time to prepare, and for him part of that process means a new-look website. And secondly, it’s very nearly time for some new music! 

          “It’s been a long time now since anything felt normal. There are days you’d even forget what normal felt like, as if the way things used to be was actually nothing more than a dream almost. And yet, ya know, there’ll also be days – or moments in days, shall we say – when you forget that things aren’t normal anymore, and you’d go to check the diary for some reason or whatever. But I do believe that we’re getting closer all the time to being back in a good place, and we might even be closer than we know to when we get there. So I think it’s important for anyone in this business, notwithstanding the difficulties that we still have to deal with, to keep an eye on what we can still do right now, as well as making sure that we’re ready to get back to business as soon as the opportunity comes.”

          To that end, Donie O has just revamped his website and is also planning the release of an early summer single in the next few weeks. That track, which he’ll be announcing full details of in the coming weeks, will be the follow up to his most successful release to date, A Picture Of You. It will also become the second single to showcase what will be Donie O’s second album, scheduled – all going well – for release before the end of the year. 

          “It’s important to refresh every part of what you do as an artist every now and then, and a website is no different. In fact, your website might be more important than anything really, because that’s like your business headquarters online. Your social media is more for day-to-day stuff, so it all needs to be very fluid. So we took a look at the website over the last couple of months and just gave it a bit of a revamp.”

          Donie O continued, “It’s been hard to even get near a studio for most of the last year, of course, so that’s made recording anything extremely difficult. Luckily enough, we had work started on some tracks with Peter Maher, and that meant we were in a good position to at least keep advancing things bit by bit. We always had a fairly good idea of what the follow-up to ‘A Picture Of You’ would be anyway. So thankfully we’re now fairly close to the point where the last few parts of the songs have been taken care of, and things are nearly ready to go. We’re looking at an early summer release date, so please God we’ll be back on the radio with something new in early May or thereabouts.” 

~ To stay up to date with the latest info on Donie O’s new single and forthcoming album, you can follow him on Facebook, Instagram, and Twitter at Donie O Music. And you can check out his newly revamped website at www.officialdonieomusic.com 

ENDS

Emma Donohue

NEWS

Press Release via AS Written, March 2021

ALL LOVE FOR GLÓR TÍRE STAR EMMA

EMMA DONOHUE, who has proved to be one of the stars of the 2021 series of TG4’s long-running show GLÓR TÍRE during her run to the semi-final, has revealed details of her new single. Student-nurse Emma, who is being mentored on Glór Tíre by country superstar MIKE DENVER, will release LOVE ME TONIGHT on April 3rd. 

          Announcing the news on her social media last weekend, Emma said, “I’m thrilled to let you all know that I am releasing my brand new single, ‘Love Me Tonight’, on Saturday, April 3rd. I can’t wait for you all to have a listen to my take on this beautiful song.”

          The track, which will be the fourth release from her upcoming debut album, sees Emma take a trip down memory lane to bring fans her version of the classic from Scottish singer/songwriter ISLA GRANT. Originally released on Isla’s Only Yesterday album back in 2000, Emma breathes new life into Love Me Tonight, a tune that’s sure to turn back the clock for fans of Isla, while also turning today’s generation of country fans onto one of the Irish scene’s newest young talents. 

          With the production team of Enda Dempsey and Paddy Jordan once again on hand to shape the song’s sound, Emma’s trademark ‘lived-in’ vocal – which belies her still tender years – together with her love of uptempo, playful, and instantly catchy songs, is perfectly complemented by an arrangement that highlights the Galway girl’s natural flair for fun. As the latest taster from a first collection that’s expected later this year, and which will include previous singles, Coat Of Many Colours, Ramblin’ Man, and I Fell In Love, Love Me Tonight is certain to see the sense of excitement around this young rising star from Galway continue to grow. 

          Given that ‘live’ music has yet to return, and with the remaining Glór Tíre shows currently on-hold over Covid concerns, Emma felt it was important not only to get some new music out there, but to make sure it was something that would put smiles on the faces of fans when it comes on the radio.

           “I think we’re all searching for reasons to stay upbeat and keep the best side out right now”, she explained, continuing, “because it’s been a tough year as it is. And I think hitting that one year marker of trying to live with Covid in our lives – when it’s still affecting so many things, and while it’s still so hard to see exactly when we might glimpse that little bit of life at the end of the tunnel – that’s been tough. There’s no denying it. So I wanted to give fans something that would take them out of the moment, and just get people tapping their feet and thinking to themselves, I can’t wait until I can get back out on the dancefloor to this one!”

         “This is a song that will remind people of what we can enjoy again when all this is over”, revealed the Kiloran lady, “and if a song can make people remember what there is to look forward to, while bringing them a few minutes of happiness in the present as well, sure that’s perfect. You couldn’t ask for more from a single right now.”

          The current series of Glór Tíre was suspended on March 14th, with the last two shows – the semi-final and final – postponed in the interests of the health and safety of the contestants and crew. While voting has also been suspended since that date, all votes cast up to then will still be valid when voting resumes. 

LOVE ME TONIGHT, the brand NEW single from EMMA DONOHUE (written by Isla Grant), will be available on all platforms from April 3rd. You can follow Emma on the remainder of her Glór Tíre journey and to stay up to date with plans for her debut album at Emma Donohue Music on Facebook and Instagram. 

ENDS

Megan O’ Neill

First Published March 2021

GETTING COMFORTABLE WITH UNCERTAINTY

Earlier this month, Kildare singer/songwriter MEGAN O’ NEILL celebrated – in as much as one can celebrate anything right now – what is always one of the biggest days in the career of any artist…album release day! Her latest collection, and her sophomore long-player, is called GETTING COMFORTABLE WITH UNCERTAINTY. I doubt there has been a more sage piece of advice encapsulated in an album title anywhere this past year! But now that her new album is out in the world, is Megan getting comfortable with the fact that – after two years of putting everything together, and a full year of working on the recording process – her baby has officially flown the nest at last? 

“[Laughs] It’s always a weird one when you release an album, especially for this one, because I’d worked on it for soooo long! And then I sat on it for sooo long as well because of Covid. When I was approaching the release date I was almost like, ‘Oh my God, I hope it’s still as good as I thought it was when I was in the studio?!’ [Laughs]. But yeah, I’m so thrilled it’s out, and with how it’s been received. It’s been amazing.” 

When Megan released her debut album, Ghost Of You in 2018, the world was still a normal place. Now, of course, normal has taken on all kinds of new definitions, very few of which resemble that old world in any way. How different have those two experiences been? 


“To be honest, there’s been pluses and minuses to it. When you’re bringing out an album, you’re usually on tour when the album comes out. Therefore, you’re just completely overwhelmed, because you’re playing gigs but you’re also doing radio stuff during the day, you’re doing press during the day. There’s an awful lot of stuff around the release of an album in a normal world when you’re able to tour. In this scenario it was actually nice because I was able to give a lot more time to long-form interviews, to doing long podcasts, and chatting to so many different people about the album. Because you had the time to sit and do it from home. And you weren’t driving to Manchester to appear on the radio, ya know! There were a lot of elements like that that I really enjoyed. But I suppose the weird thing with Covid for everybody is that you can’t mark things with celebrations. So sometimes it feels like they don’t happen. I was like that after The Late Late Show. I just came home and had a glass of wine and was sitting on the couch, and I was like, ‘Did any of that happen?!’ [Laughs].” 

Does Megan think that when things come back to some kind of normal, because people have now had these new experiences of how things can be done, that there’ll be a shift in how the music industry operates? Or will everything snap back into the way it used to be? 


“No, there’ll be a huge shift. Even for me, I work regularly – like two or three times a week – I would be in a songwriting session with somebody in Dublin, or Mayo, or Cork, or Belfast, or London, or Nashville, wherever. And that’s all made possible actually, because of the pandemic, and do we all do those over Zoom. In the past, I would have flown to Nashville for two weeks to write with people. I think that’s gonna be gone. I think Zoom songwriting, it’s become the norm. People have gotten really used to it. In a way, it’s really nice because you have all of your gear, like for me, I’m in my home studio and my set-up is how I like it. I’m not having to go abroad or hop in my car and drive for two hours to go work with somebody. I don’t think that change is gonna change [back], I think that’s here to stay. I think live-stream, to a certain extent, are here to stay, but will be coupled with actual real-life gigs as well. I think the way that fans probably now expect to be welcomed into your home [laughs], the way they have been for the last year, that will stay.”

Megan has described these thirteen songs as being her “most personal work so far.” For her, as a writer, I wondered if that was because of the subject matter of the songs themselves, or perhaps more so how, as a songwriter, Megan has learned how better to shape and share her experiences with the passing of time? 


“I think it’s a bit of both, probably. Between ‘Ghost Of You’ and ‘Getting Comfortable With Uncertainty’ there was an awful lot of growth for me, as a songwriter, as an artist, and as a person. Growth as a person changes how you are as a writer, and as an artist. And probably what you’re open enough to talk about. Maybe for me, in the past, I was a little afraid to be that open. Or a little nervous about being that open. I think now, I’m like, screw it! [Laughs]. We’re all humans. We’re all having a shared human experience, we’ve all felt a lot of the same things, so why am I afraid to talk about it, ya know? And that will be the case even with the stuff I’m writing now, it’s even more in-line with that. I’ve invested a huge amount of my life into my songwriting, so you do get better at knowing how to portray that, I guess.” 

Like so many more, I’ve known of and been a fan of Megan’s for years already at this stage. But the entire nation got to meet her and enjoy her spectacular talent when she performed on The Late Late Show recently. As a platform, the show remains the biggest in the country, and because of its long and illustrious history, it’s a landmark moment for any artist to perform on it. I asked Megan to tell me how that experience was for her…


“Yeah, The Late Late is an institution, so it’s a career milestone for a lot of Irish artists, and it certainly was for me. ‘Time In A Bottle’, the cover that Mark and I did, was on Firefly Lane (the Netflix series) and had attracted a lot of attention. So I got the call to go up to The Late Late. In one way, I was upset that it wasn’t non-pandemic times because I would have loved a ‘live’ audience there, and I would have loved my family to be in that audience. Because this was huge for them as well, having supported me so much in my career. But in another way, because of Covid, so many more people tune into The Late Late. So again, two sides to the same coin, pros and cons. But I was so thrilled to showcase that song. Ryan Tubridy was amazing, and so full of the most lovely things to say, both on-screen and backstage. The actual recording of it was a bit mad, because everyone was in masks and socially-distanced. It feels a bit abnormal. But just like anything, when the lights go down and the performance starts, you get in the zone. It was amazing, and I’m so happy to have done it.” 

Before going on to talk a little bit more about some of Megan’s own songs on Getting Comfortable With Uncertainty, I wanted to ask her about the approach she and Mark ‘Cappy’ Caplice took to recording Time In A Bottle. It’s such a gorgeous song even to begin with, and obviously such a well-known song to those of us who would be big fans of the late singer/songwriter Jim Croce. So how did Megan and Cappy take on the challenge of a song like that, respecting the original, but also, I was sure, wanting to be original in what they did with it? 


“Hmm, yeah. Mark and I recorded and produced that song for the Netflix series, Firefly Lane. And we chose to do that one because they were looking for a female version of that song. That was the motivation behind going into the studio to do it. We had a lot of conversations about the song, because yeah, that song is so precious to so many people, myself included. I grew up listening to that song, it’s one of my mam’s favourites. With songs like that, that you know are so loved, you’re like, ‘Ok, how am I going to do this?’ You don’t want to get too close to the original because you don’t want people to listen to it and be like, oh she never should have touched that! Yeah, we had a lot of discussions about making it uniquely our own, and we came up with this version which would be very haunting and very ethereal. The day it came to recording it – well, it was all in the one day, the discussions and the recording – we just turned off all the lights in the studio, lit a candle, and just went for a take. And that’s actually the take that you hear. And we didn’t even do it to a ‘click’, the timing of the track is not as we would usually do it, we just wanted it to be free-flowing. It was one of those performances where it was so important to capture the energy, not a note-perfect, metronome-perfect, timing-perfect track. It was more so capturing the emotion of the song. I think that’s what worked so well in it.” 

Megan has described the track London City as being the hardest song to write on Getting Comfortable With Uncertainty. But did that then make it the hardest song to record as well? Was it just in that first fire of creation – the actual writing of the song – that she had to battle through the emotions or memories that gave life to it in the first place, and are still wrapped up in it? Or do you have to go through those all over again when you record the song?


“So, I didn’t think I’d have to! [Laughs]. But I did. I thought I’d be fine. I wrote that song with The Dunwells, maybe in the summer of 2018 when I knew I was going to be leaving London in the October time. So I was feeling all those things, grieving a place before you have to leave. And it was really difficult to write, yeah. It was very emotional to write. And then, when it came to actually recording the vocals of it – because we’d built the track around it first, and we were doing the vocals probably six months later – I thought I was fine! I was like, ‘I’m grand!’ [Laughs]. I can get through this! But I just balled, the whole day we were recording that song. Poor Dave Dunwell, he was the one at the keypad, torn between oh no, I really want to capture this emotion, so maybe I’ll just get her to push through? But also, maybe she just needs some fresh air?! [Laughs]. I left London because my dad’s not well. And at the same time, I don’t know if you’re ever really ready to leave London. It was a real push-and-pull for me for a long time.”

Megan spoke recently about how she had invested a huge amount of time into her songwriting in the past few years. Did that investment take the form of more time simply spent writing? Was it time spent studying the art and the craft of songwriting? More time co-writing, perhaps? I asked Megan to expand…


“I think songwriting is a life-long education. It’s always gonna require the investment of your time. And again, as I said, because you’re growing as an individual, your needs with your songwriting – whether it’s to write in different genres, whether it’s to write with different influences, whether it’s to write about different topics – all of that requires more work. And that’s more investment of your time. So for me, throughout the last year, I’ve done a lot of solo songwriting which has been really enjoyable because I would have been more focused on the co-writing element in the past. And solo stuff usually takes on a different angle for me when I write by myself. I’m exploring that and finding it really interesting. then a lot of co-writing is writing for other artists, which is a new-ish thing for me. I’ve always done that, but in the last few years I suppose, that’s been more prevalent, and I’ve been writing other peoples’ stories. That’s been really exciting. I’ve got some songs coming out with other artists in the next year which I’m incredibly excited about! So yeah, it’s more time invested in co-writing, it’s more time writing in certain directions – whether that’s for another artist or for synch, or a brief – and it’s also been more time invested for me in learning production. I’ve been doing a production course since the beginning of this year. So it’s a lot of time staring at Logic and pulling my hair out [Laughs].” 

While there are very few artists in a position to see any light at the end of the tunnel as far as ‘live’ shows go just yet,  Megan is one of those who can, with dates in the diary for Ireland and the UK in October. As far as those dates go, is the hope that by the time October gets here they’ll be able to take place in conditions as close as possible to how they would have done pre-Covid, or are they being planned with a new set of logistics that now, and possibly for the foreseeable future, will include Covid considerations? 


“They’re basically being planned both ways, a Plan A and a Plan B. Ideally, Plan A is everything goes ahead as normal if everybody is vaccinated. Plan B is hey, here’s what we have to do if we social-distance. I’m very optimistic that they can go ahead, even if they have to go ahead under certain restrictions. Ideally, if they can go ahead without social-distancing, it will be a full-band situation. But if they have to go ahead with social-distancing, and you can only fill half the room, it would be really hard for me to bring a full-band, obviously. But to be honest with you, I’m just playing it by ear. I’m not stressing about the outcome. It’s just, look, those are in the diary, and I’m really hopeful that we can do them. But these are my third rescheduling of these dates. So…[laughs]…I’ve kind of gotten used to the push-and-pull of that for now [laughs].” 

Many artists are now of the opinion that if something seems possible to try, then let’s do it and see how we can make it work. Because once things begin to happen, and people can better judge what is possible and isn’t, what does work, and doesn’t, that in itself will create a sense of confidence that can be built upon further. Would Megan be of the same opinion? 


“Yeah. And I’ve got more shows to be announced abroad, as well as these ones. And if it’s the case that it’s going to be building a new method of doing events, I want to be a part of that. I don’t want to be waiting, just sitting waiting until everything is back full-tilt. That could be…2023! And then I’m like, great, I haven’t played a show in three years! [Laughs]. I’d much rather be in with the movement and seeing what’s possible.” 

When Megan and I last spoke in July of 2020, it had, at that stage, been only a few months since Megan had last been on stage. The 9th of March this year, however, marked a full year since her last ‘real-life’ show. Mind you, that was in support of Jamie Cullum at the Bord Gais in Dublin, so as far as last shows to look back on go, that’s not too shabby! Throughout her career, Megan’s ‘live’ shows have been an intrinsic element of who she is as an artist, and how she connects with her fans. And over the past few years, as well as her own full diary, Megan has ticked off some seriously high-profile gigs, opening not just for the aforementioned Mr. Cullum, but also Sir Tom Jones, the Lighthouse Family, and alongside Gavin James at some private Oscars’ parties in L.A.  


Now, when some of the shows you’ve been missing out on over the past year are ones like that, I can only imagine the chasm it leaves in an artist’s world. But, what I wanted to know was this. When the moment finally comes around that Megan can walk back out under the spotlight, in front of a venue full of people again (at whatever capacity), for one of her own shows or to open for someone else…what’s that moment going to feel like? Is that the kind of moment that Megan sometimes day-dreams about?


“Oh my gosh! All the time! ALL the time! It’s been such a huge part of my life that, through no fault of mine or of anyone else, it’s just been wiped from underneath me. And I know that’s the case with everybody. 2020, for me, was my biggest year to date. It was two albums. One with a label – a compilation album – and then my own album was coming out. A hundred-plus shows all over the world. I was geared up for an incredible year. And there’s certainly an element for artists now, that feels almost like you’re starting from scratch again. On the one hand, the thoughts of a ‘live’ gig are so exciting, like, I’m jumping out of my skin and I’m like, ‘OH MY GOD!’ [Laughs]. But, on the other hand, I’m anxious about it. By the time these gigs come around [in October], it will have been eighteen months. Playing ‘live’ again will definitely be a little bit scary. And playing with a full-band again. I’ve gotten so used to just playing by myself! Playing with a full-band will be weird. But, the excitement part of it will be much stronger than the anxious part of it!”

As Megan had previously referred to the two years around the process of making Getting Comfortable With Uncertainty as being a period that left her feeling “pretty battered”, I wanted to end our chat with something a little more personal. So, as we sat there on the morning of Friday, March 26th, 2021…how was she feeling? In both a personal and a professional sense? 


“I’m great! Yeah, I’m in a really good place. And I’m so grateful for that! There’s been a lot of…yeah, s*it [laughs]…and a lot of stuff that’s been really hard to get through. But I firmly believe, I really strongly believe, that you don’t grow from a place of comfort. You just don’t. You grow – well, I certainly have grown – when you go through really tough stuff. And for me, I’m still dealing with my dad’s illness at home, which is really hard. And that’s a big part of my life right now. But I’m really grateful to be here to actually, ya know…be here! And that’s a benefit of the pandemic in a weird way, it’s allowed me more time with my family, where I’m not out touring and I’m not away. But yeah, both personally and professionally at the moment, I feel really happy where I am. I feel really excited about what’s coming in the next year or two. I work really hard at putting myself consistently in a good space. And I’m grateful for everything.” 

GETTING COMFORTABLE WITH UNCERTAINTY, the brand NEW album from MEGAN O’ NEILL, is OUT NOW and available on all platforms. 

ENDS

Chantelle Padden

First Published, March 2021

DREAMCHASER

Part 2

This year’s series of The Voice UK came to an end last weekend, with the Scot Craig Eddie confirmed as the winner. Last year’s victor, Blessing Chipata, also returned to the show to perform her new single. As I’ve mentioned before, I’m not, and have never been, a huge fan of shows like TheVoice anyway, and this is one more reason why. While the show would never be on my must-watch list, I do tend to have a fairly good idea of what’s happening in the music world. And yet, I have no idea who Blessing Chipata is. No offence to her personally, of course, but nothing about anything she’s done before or since winning has ever registered with me. And, sad to say, I think the same thing will happen with Craig Eddie. 


His debut single will do well, and maybe the follow-up if the song choice is right. Chances are, though, by the time a debut album is ready to hit the streets, the shine on the title of The Voice UK Winner 2021 will be starting to dim. And that’s not necessarily a reflection of Craig Eddie’s talent in any way at all. The problem is that The Voice as a brand, as a TV show, will need to redirect the spotlight to its 2022 series. With very rare exceptions, a career built on being the last one standing on a show like The Voice almost always limits the winner to that fabled fifteen minutes of fame. And as if that wasn’t bad enough in itself, that clock starts counting-down as soon as your name is announced as the winner. The one thing that being this year’s ‘next big star’ guarantees, is that you have less than a year before you’re officially out of date. And good luck to you after that. 


From that perspective, CHANTELLE PADDEN – in the long run – has probably had a lucky escape. The Mayo woman, who first came to national attention here in Ireland when her golden, lucious voice saw Irish country star Johnny Brady choose her as his contestant on the TG4 show Glór Tíre, wowed judges Olly Murs and Will.I.Am earlier in the series. With both men wanting Chantelle on their team, she opted for Olly, who went on to describe her as a “superstar.” A few weeks later, however, when the ridiculous ‘battle’ stages arrived, Olly’s enthusiasm had waned and Chantelle’s journey was at an end. But only as far as The Voice was concerned. For Chantelle, bigger things, moments and achievements – ones that won’t come with a best-before date on them – are on the way. Her journey, the real journey, the one with music and not a TV show at its heart, goes on. And central to the next chapters of that story will be her manager Jeremy Medcalf, and her label, Legacy Records.


In fact, it’s a pretty amazing story as to how Chantelle first came to Jeremy’s attention. And not only that, but also about how the pair turned out to be living only twenty minutes away from each other after she moved to Cambridge, even though at the time, Jeremy wasn’t even aware that she had moved to the UK. As we begin Part 2 of our chat, Chantelle picks up the story…


“Well, the kind of frame of mind I was in, I wasn’t expecting anything to come of music. I was just like right, I need to get a day-job now, I need to start making some money. I can’t live on fresh air! [laughs]. I applied for a job in Boots, went through the whole rigmarole that we all have to do with interviews, and I got it anyway. I remember going in on my first day, it was a Monday, and I went in at 8am or something like that. I was sitting at the computer screen where we had to log in all our details, and I was like, uuugh…what am I doing?! I’m working here in Boots, when all I’ve ever wanted to do was sing. How did I get to this point? It was coming near the time of my break, so I remember getting up, grabbing my handbag, went down the street, saw H&M, and I said I’m gonna go shopping! Whatever money was in my purse, I said I was going to go shopping with, and it would cheer me up. Typical girl! Shopping solves everything [Laughs]. Went in, did a load of shopping, came out, and my partner – who was working in Cambridge – came to collect me when he finished. I’d have stayed shopping the whole day otherwise! I had to go down to Boots because that was where he was collecting me from, and I got into the jeep with a load of bags. And he just looks at me and goes, ‘Emmm….how was work?!’ He was looking at me as if I had two heads! I just said, ‘Don’t even talk to me!’ [Laughs]. I just said then, ‘Ah, it’s not for me’, and he burst out laughing and said, ‘I told ya so!'”


Chantelle continued, “But while all of this was happening, me having my little meltdown and wondering what was I going to do, a video of me singing at my going-away party was going viral. There were people from Egypt messaging, from Australia, it was very surreal. I’m not sure if it’s still online, it was on my local pub’s page, so I’d have to go back and look, but I think the song was about a hundred years old! A random song that someone had asked me to sing. But yeah, didn’t it start to go viral. And at the start of the video I was like oh please don’t go ‘live’, just because I was in such bad form, ya know, I didn’t want to be online. And you can actually see it, I wouldn’t look at the camera because I was thinking she’s goin’ ‘live’! [Laughs]. I was just down in the dumps that day, but it’s the reason why the song grabbed everybody’s attention, because it was a very sad, Irish folk song that I was singing. And that’s how Jeremy saw me. There’s no other way he could have seen that video [other than it going viral], because we had no mutual friends, he had no connection to Belmullet whatsoever. That video came up on his timeline, and he ended up reaching out to me online. There were messages over and back with him explaining who he was, and I was asking questions too, just to make sure that it wasn’t some randomer that was raving who was messaging me! [Laughs]. He asked me was I represented by anyone or did I have management because he would be really interested in arranging a meeting to talk over some ideas. I was like management, representation? What are you raving about! I’m currently working in Boots at the minute! [Laughs]. It was so crazy the way it happened.”

While Chantelle was by now almost resigned to the fact that a career in music may have slipped away, Jeremy, thankfully, had other plans in mind…


“He was talking about arranging a flight over and we’d meet at a place of my choosing and all the rest of it. But I had to tell him, sorry, I’m not actually in Ireland anymore, I’m over in the UK, and I’m not really doing anything music-wise, but thank you for reaching out. But he was persistent, he was like what do you mean you’re not doing anything music-wise, I think you’re phenomenal. But then he said, well actually Legacy Records is based in the UK, that’s where I’m living as well, and he asked me what part I was in. I said I’m actually in Cambridge and he was just like…what? I think one of his messages was just, ‘Are you having a laugh?’, he thought I was messing with him [laughs]. He happened to be living in Willingham, and I was in Harleston, literally twenty minutes away from each other. Absolutely crazy.” 


When she and Jeremy met, Chantelle wasn’t actively doing anything anymore as far as music was concerned, with no real contacts to speak of, and no idea about how she might even record anything. Having grown convinced that she didn’t have a chance of making it as an Irish country artist, she had been hesitant to even think about going near a recording studio. But by reassuring her that commercial country was the lane Chantelle should actually be in, Jeremy helped to change that. And, as Chantelle was about to reveal, Jeremy actually had very close personal links to the Irish country music scene himself…


“Now a lot of people don’t know this, but Jeremy’s mother worked on the Irish country scene, she toured with Foster and Allen, Daniel O’ Donnell, Philomena Begley. Michelle Calaz was her stage name. She even performed on Live At 3, a show I’m sure some people will still remember fondly. So he has some idea of how the Irish country scene used to work back then. And he was very surprised to see that it’s still working that way, with a lot of the same people who were heading the shows back then are still the main headliners. His idea was well, ‘Why don’t you try to bring something different to the table?’ Now obviously, I respect anyone I grew up listening to. Philomena Begley rang me the other week, and I was starstruck! The only time in my life I’ve ever been starstruck! [Laughs]. I wasn’t even starstruck meeting Sir Tom Jones, but when Philly rang me I was like WHAT is goin’ on?! [Laughs]. But I still got what he [Jeremy] was saying, and I explained that they were all still pulling in the crowds. But Jeremy suggested that maybe it was because no-one has tried to actually do something really different. That got me thinking. And I asked him if he thought that where I fit in the scene, would that work in Ireland? He was like, well, there’s only one way to find out! Lo and behold, the first album we released with Legacy was called Let’s Begin, and it went to #1 on the Irish charts on iTunes. So that was a sign that ok, I have some hope. My only problem is getting my name out there. I knew that I needed to be seen on certain platforms, be it a talk-show, or performing somewhere on stage. I went on tour with Nathan, which was amazing. He brought me on his 2018 summer tour. Phenomenal experience for me. A few things started happening when I got with Legacy, because I had the right kind of input, and they offered me great advice on how to approach things. I still have a lot to learn, and I’m always trying to improve and stuff. Legacy helped me to realise that if I don’t take the risk, I’m just going to be like everybody else. And I’ll keep slipping through the cracks, ya know.” 


Moving slightly away from the music side of things for a moment, one of the things I really love, and admire, and respect about Chantelle, is that she’s so open about having the same kinds of insecurities as everybody else. She acknowledges that what people generally see online – from most people – is usually made for online, it isn’t real-life, so it’s not always going to reflect real-life. One of the reasons why I think all of that is so important about Chantelle is because – certainly on the outside – her, and her life, seem pretty much perfect. Now, she could just let that perception be the only thing that anyone knows, but she doesn’t. I asked her why she felt it was the right thing to do, to say, as she has done, “Hey, I love my coffee, I love my chocolate, I love my filters, and I sometimes don’t love myself as much as I should…”


“I think back to my younger self, and if there had been more public figures who had been more open and more real, I don’t think I would have felt so self-conscious. Even though it [social media] wasn’t really a big thing when I was in my teens – it’s only after exploding now in the last while – but I’m well aware that I have a lot of younger followers. And they message me a lot of the time to tell me if they’re insecure about something, or if there’s something bothering them. And I always would keep that kind of connection with…I don’t even like calling them just fans, to be honest with ya. I’d be nothing without the people that follow me. Fans is kind of a basic word used by everyone. But I want them to feel like I can be a friend as well. An awful lot of younger people, and even people older than me, reach out. Everything we see online can be very…[pause]…edited! [Laughs]. It’s made to look perfect, and we only post the good parts of our lives. But ya know what? That’s not the way life works! Oh Jesus, when I say I went through an awkward phase, I mean I went through an awkward phase! [Laughs]. And I’m still insecure. But I’m open about it. Yes, I wear make-up, and I put on big lashes to try and make myself feel good, to feel ‘pretty’, whatever that is. I’ll never be perfect, and I don’t try to be. I can be the world’s worst! I’ve done shoots working with The Voice and I’ll be like, make sure you get a good angle on me now! [Laughs]. Part of me is making a joke, but a part of me is saying, oh Jesus, do I have to suck in now when I’m speaking here! [Laughs]. But that’s real-life, though. No matter whether you’re a size-zero, or a size thirty, whatever, you’ll always have different insecurities. It might be that you don’t like your figure, or you don’t like your hair, or your skin. I’ve always been open about the fact that my weight fluctuates. If I want to be good, and tone-up, and lose weight, I’ll just cut out the crap and try and be strict on myself. But then there’s another part of me that sees my skin flare up all the time from wearing make-up, your typical first-world problems [Laughs]. But I don’t see the problem in making those things known. We’re only human. And it might help someone else feel normal by doing that.” 

Chantelle has described her musical journey as feeling like “a never-ending road of potholes” sometimes! Apart from her love of music itself, and of performing, what else has given her the strength to keep going on that road? 


“Do you know how some people can work in a job that they may not necessarily like, but they still do it because they need to? Well, it’s kind of like I need to keep doing what I love because I know I won’t like doing anything else. My journey has been literally like a never-ending road of potholes [laughs], there’s always set-backs, there’s always knocks. But do you know what? I can honestly say that any knock or set-back – and there’s been a few – I’ve grown from them. Sometimes, if you’re not good enough, you need to take it on the chin, and you need to work on it. I’ve always had that mentality. Whatever is not going my way, I figure out where it’s going wrong, try and resolve the issue, and then crack on again! And if it keeps happening…well, your luck has to change some day! [Laughs]. Anyone who’s ever had longevity out of their careers has to do that. Look at Sir Tom Jones, for instance, he once had to work on a building site for years before he had his first number-one hit at the age of twenty-four. I’m only twenty-four, so hopefully I have some hits coming [Laughs]. But people like him, like Dolly Parton, they grew up in hard times, they’ve definitely had set-backs. Shania Twain has had set-backs. Even our own Margo. I actually had a conversation with that lady recently too, lovely woman. And she said to me, ‘Don’t let it hold you back, that you come from a small town, I’m the same. I come from the middle of nowhere too!’ [Laughs]. If I give up, then it will all have been for nothing. And someone that never gives up, will never fail. If you keep on tryin’, you’ll never be a failure!” 


CHURCH BELLS, the latest single from CHANTELLE PADDEN, is OUT NOW, available on all platforms and to request from radio. 

ENDS