Press Release via AS Written, October 2021


As ‘live’ music continues to make a long-awaited comeback, fans in the midlands are looking forward to welcoming country music star ALEX ROE back to the stage for this year’s CANAL QUARTER FESTIVAL on THURSDAY, October 21st. 

          The festival, organised by Hugh Lynch’s Bar in Tullamore, returns for the first time since 2019, and will see Clara’s country star Roe get the whole event underway before the legendary WOLFE TONES take to the stage later that evening. For Roe, the chance to return to the Canal Quarter Festival – essentially a hometown gig of sorts, given that he lives in nearby Clara – is one of the moments that helped him get through the difficult and often monotonous days of ‘lockdown’…

        “Playing the Canal Quarter back in 2019, before the world went mad there for a while, that’s still one of the best memories of my career so far. It’s right up there with getting to the final of Glór Tíre and winning my first Hot Country award. I absolutely love being on stage anyway, and having an audience to play to, but when it’s a festival like this, that takes everything up another level as far as enjoying it goes. It’s just something else altogether. And that was before everything that’s happened since March of 2020. That’s how much it meant to me then, before we all realised that music – that doing what we love – could actually be taken away from us. So come Thursday night when I get a chance, at last, to finally do it again…it’s going to be amazing.” 

“All over the lockdowns”, confessed Alex, “when none of us knew if we were coming or going, or when we might be able to feel like life was normal again, I’d often think back to nights like the Canal Quarter Festival and I swear, just remembering that kind of buzz would bring a smile back to my face. So I’m really delighted that Emmet asked me to come back and be part of things again this year.”

          Alex continued, “Emmet and his team put on such a great event anyway, but this year is going to be extra special. It’s a moment that we’ve all been waiting for, to be able to do something like this again. It’s not just about someone like me as a performer. It’s about Emmet and people who put on these festivals and make them possible. It’s about the guys who’ll be setting up the stage. It’s about the people who are running sound and lights. And, of course, it’s about the fans who come along to take it all in, and who provide every event with its atmosphere, ya know. We’ve ALL been waiting for a chance to do this again. And I can’t wait to be back in the middle of it all. It’s going to be a very special night, and a very special weekend all round, I think.” 

~ ALEX ROE performs at the CANAL QUARTER FESTIVAL on THURSDAY, OCTOBER 21st. For more info on the full festival line-up and tickets, check out You can follow Alex at Alex Roe Music on Facebook. 


Emma Donohue


Press Release via AS Written, October 2021


After what felt like the longest wait imaginable, GLÓR TÍRE 2021 winner EMMA DONOHUE finally made it back on stage recently, opening for her MIKE DENVER, her mentor on the long-running TG4 show, at his concert in The Well, Moate. 

Remarkably, since being crowned champion back in April, the student nurse from Ballinasloe has been patiently waiting for a chance to sing in front of a ‘live’ audience again. But, with the music world slowly emerging from eighteen months of unexpected and unprecedented silence, Emma’s moment to shine finally arrived when she was invited to get the evening’s entertainment underway at The Well. 

And while the Love Me Tonight singer admitted to feeling nervous in the run-up to the big-night, her overwhelming emotions were those of excitement and gratitude…

“I knew it was only natural to feel a bit nervous having not been in front of an audience in so long, so I didn’t worry too much about that, to be honest. I knew that as the hours ticked on towards show-time all of that nervous energy would turn itself into adrenaline instead. And when that starts to happen, it’s the excitement of doing what you love that starts to kick-in. Because I was opening for Mike, though, and because Mike and his manager Willie Carty have been so good to me, I just wanted to make sure I did my best and didn’t let anyone down or disappoint anyone, that was the most important thing for me. That, and making sure I got people out on the dancefloor! [Laughs].” 

With fans making the journey from her native Galway, as well as from Wexford, Offaly, Laois, and even from as far away as Donegal, one thing Emma didn’t need to worry about letting anyone there. They came in their droves to help her celebrate her first time on stage as Glór Tire’s champion of 2021…and to dance! 

Posting on her social media platforms the day after the gig, Emma wrote, “What a night! My very first gig since winning Glór Tíre. Thanks to all my friends and family that showed up to The Well in Moate last night. It was definitely a night to remember. Thanks to Mike and Wille for inviting me to be a part of the night with them, and to Declan and Brian [Manton] for the amazing venue and hospitality as always. Hopefully there’s many more gigs to come. I’m delighted everyone enjoyed the night. I’m still on cloud-nine.” 

Emma, who is one of the featured artists in the Ones-To-Watch section of the latest edition of RSVP Country, has also been back in the studio recently, putting the finishing touches to her brand new single. 

“Like everything else these days, it’s taken a little bit longer to plan, and then to get it to where we want it to be. But we’re very close to all wrapped up on it now, thank God! So it won’t be too long before we can announce all the details on that. And again, no more than with actually performing, my last single was back during Glór Tíre as well, my version of Isla Grant’s ‘Love Me Tonight.’ The wait has been longer than I wanted, but I love the song I’ve chosen, and I’m really happy with it. So, the next step now is to get it out there and hopefully get to see and hear fans enjoying it. And then, of course, to get back out on the road and get playing it ‘live.’ Keep an eye on my socials, there’ll be more news on this announced there soon.” 

~ You can follow Emma on Facebook and Instagram at Emma Donohue Music, and via her official website, 


Alex Roe


Press Release via AS Written, August 2021


Glór Tíre finalist ALEX ROE has country fans all aboard for the release of his new single, a cover of WHERE THE BOAT LEAVES FROM, a hit for American country rockers, the Zac Brown Band.    


Roe, who narrowly missed out on taking the Glór Tíre title last year, released Where The Boat Leaves From on August 2nd. And the man from Clara in Offaly is hoping his version of Zac Brown and Wyatt Durrette’s good-vibes track will do its best to lift spirits and keep people in a summer mood for as long as possible. 

          “This is actually a song that was on an album called ‘The Foundation,’ which was the very first Zac Brown Band album back in 2008. Like most people in Ireland who know the band, I got into them when I first heard the song ‘Chicken Fried,’ one of the most laid-back and catchy songs ever! And I think I first became aware of it when Johnny Brady recorded it for his ‘I Owe It All To You’ album in 2013. That’s what got me into the Zac Brown Band to begin with. I started going through their back-catalogue and as soon as I heard ‘Where The Boat Leaves From’ I knew I definitely wanted to take it into the studio some day.” 

          Alex continued, “So back earlier this year, when I recorded  ‘I Loved Her First’ – and before I even knew I was going to release that one as a single, because that kind of happened out of the blue when so many people were asking about it – I was just thinking about what might be a good song to follow ‘I Loved Her First’ on an album. And the more I thought about it, the more I felt like ‘Where The Boat Leaves From’ would be the perfect choice. The Zac Brown Band have this knack of writing songs that are incredibly melodic and memorable. And at the same time, they’re songs that just make you feel happy when you listen to them. So I’m hoping we’ll be putting some smiles on faces with this single when it comes on the radio.” 

          Although Where The Boat Leaves From was itself never released as a single by the Zac Brown Band, the album it featured on – The Foundation – was nominated for Best Country Album at the 2009 Grammy Awards, and helped the Atlanta based outfit take home the Grammy for Best New Artist. The collection was also nominated in the Album of the Year category for the Academy of Country Music Awards in 2010. 

          During his time on Glór Tíre in 2020, judge Caítriona O’ Sullivan remarked that even his early performances showed him to be, “a king of the stage”, while his mentor, country legend Trudi Lalor described him as being, “…a star already, and will be an even bigger one in years to come.” 

          Despite being just twenty-two, Roe had clocked up the miles from his late teens on, performing at venues all around the country. And after close on a year and a half of not being able to do what he loves most, he can’t wait to get back out in front of fans again. 

          “It’s been a tough time for all of us, there’s no denying that. But what keeps me going is dreaming of the moment when all of this comes to an end. I can’t wait until we’re back to something like normality again, and I can introduce a song like ‘Where The Boat Leaves From’ knowing that I’m about to see every face in front of me light up with joy. That’s what music does. And that’s what this song does. Hopefully it will make people smile when they hear it on the radio for now. But the moment when that can happen again in real-life, that’s what I’m living for.” 

~ WHERE THE BOAT LEAVES FROM, the brand NEW single from ALEX ROE, is OUT NOW on all platforms, and available to request from radio stations nationwide. 


Glór Tíre

First Published July 2021


Sometimes, just by being around for long enough, what you do can end up being massively taken for granted. Case in point, the hit TG4 show, GLÓR TÍRE. Despite the many complications caused by Covid-19, and the subsequent restrictions and guidelines which needed to be put in place and adhered to, the team behind the show managed to make sure that the 2020 series eventually came to a conclusion late last year. More than just that, though, they also found a way to make sure that the 2021 series went ahead. 

A key-word to pay attention to in everything I’ve just pointed out, is ‘team.’ Because that’s what it takes to make Glór Tíre happen each year. And it’s a team that is in part unseen, but yet, without the talents of all involved, we wouldn’t be able to enjoy the on-screen contributions of judges Jo Ní Cheide, Caitriona O’ Sullivan, and John Creedon, as well as presenters Aoife Ní Thuairisg and Séamus Ó Scanláin, and of course, the fabulous house-band. The show is not just about each year’s contestants, it’s bigger than that. 

And yet, if you were to judge things by some of the vile, vicious, attention-seeking, and often desperately ill-informed vitriol that was regularly spewed forth in social media comment sections during the course of this year’s series, you’d assume Glór Tíre and almost all involved with it to be something akin to a TV Taliban, only to be reviled as a gang of clueless chancers. And that description, as colourful as it might be, doesn’t even approach the levels of hyperbole achieved by some of the country music ‘fans’, and indeed, self-appointed commentators of sort who felt the need to grace the world with their opinions. It certainly opened my eyes to some people, and how, and when, and in what manner they seem to like to share their thoughts with the world. All good to know, though. 

Full disclosure, by the way, I had the pleasure – and it was a pleasure – of working with EMMA DONOHUE during her successful Glór Tíre campaign under the mentorship of MIKE DENVER this year. Without a doubt, Emma has everything it takes to carve out a career for herself on the Irish country scene. I’m more than certain that her natural talent, a work-ethic that’s simply second-to-none, and a personality that’s every bit as genuinely warm and funny off-stage as it is effortlessly comfortable on-stage, would have ensured this anyway, regardless of how things went for her on the TG4 show this year. I can say that with my hand on my heart. 

Despite working with Emma this year, the last time I actually saw her in person – and probably her mentor Mike as well – would have been at the Keltic Country TV Irish Entertainment Awards at the Tullamore Court Hotel in November of 2019. As far as anything to do with her campaign went, we did everything by phone, email, messenger, you name it. We had little choice, of course, given the complications of the last year and the disruption that Covid has caused in all areas of life. This was my fourth time working with a contestant on the show, and my first time to be involved with a winning act. So I’ve been there before, seeing someone I believed in and wanted to succeed being voted out, or falling just short at the last hurdle. I’ve seen it happen, not understood it, been completely mystified by judges’ decisions, and ended up feeling completely deflated, frustrated, and disappointed. But I’ve never once become abusive about the show or anyone involved in it online, in either a direct or an indirect manner. 

Normally the nights of the ‘live’ shows down at Quays Bar in Galway are bursting with excitement, full to the brim with fans and supporters of the contestants. Despite the nerves, the tension, the inevitable waiting around that comes with television, and sometimes the disappointment, the adrenaline  and the fun of those nights always makes them memorable. That ‘live’ element of Glór Tíre has been a crucial factor in making the show the success it has been for close on two decades now. So it would have been understandable to some degree if the show’s producers had decided that the 2020 series could not finish, nor the 2021 series get underway without a ‘live’ audience being able to attend. But, to the credit of all involved, the power of that evergreen mantra of those who work in the entertainment industry – the show must go on! – was invoked. The 2020 series finally came to a conclusion in November of last year with Offaly’s own Alex Roe – with whom, by the way, I also had the pleasure of working with during his campaign – narrowly missing out on the crown of champion. And following that, also in November of last year, filming got underway for the first episodes of the 2021 edition. 

Now, here’s a point that simply can’t be stressed enough when it comes to Glór Tire. I’ve mentioned it already, but it’s worth repeating. The show is not just about whoever the lucky contestants are each year. Yes, the focus of the show is on the contestants. But the show itself is not just about them. And that’s a distinction that seems to have been lost on a lot of people this year. Without the production crew, the presenters, the judges, the mentors, and of course the band… there is no show. It’s as simple as that. Every year a line-up of new contestants get the opportunity to perform on ‘live’ television, to a national audience, because the Glór Tíre set up is in place. Without each of those elements being in place, the spotlight never lands on any artist. 

This year, everyone involved in the show was asked to accept a certain level of personal responsibility in adhering to the guidelines and regulations necessary for the safety of EVERYONE involved in the show. These guidelines and regulations were not in place just to protect the contestants. Again, they were there to protect the contestants, AND the production crew, AND the presenters, AND the judges, AND the band. And by extension, the family, friends and loved ones of all of those people. Those guidelines and regulations were in place so that the show had a chance to go ahead at all this year. They were in place so that six more new and young country music hopefuls could have a chance that simply does not come their way through any other media outlet in Ireland. 

Everyone knew what was expected and needed from them at the beginning, and everyone agreed to it. 
Now, if you were to base your assessment of how well or otherwise this year’s series of Glór Tíre went from what you might have seen on social media at the time, you’d have been forgiven for thinking it was nothing less than an unmitigated disaster, organised by amateurs, and unnecessarily and recklessly cruel to some contestants. And not only that, you’d possibly end up being fully convinced that the show achieved nothing other than bringing country music into disrepute while calling the future of the whole scene into question. 

The problem, of course, is that social media has become the best possible example of how the court of public opinion is so often formed on ignorance, and a few quick lines thoughtlessly thrown out into cyberspace with either no basis in reality or one that can usually be dismissed in well under a minute with a little careful examination. Simply put, a huge amount of the social media reaction to this year’s show was disgraceful nonsense. It served only to betray a lack of knowledge about the music industry in general, and – what’s worse in this case -a lack of any kind of genuine care about the country scene as a whole in particular.

Most of that negativity stemmed from the fact that two contestants had to withdraw from the show for breaching the Covid guidelines and regulations that were in place. According to some who felt so compelled to share their wisdom and insight, these guidelines and regulations should not have been enforced at all, and doing so only made a mockery of the show. Gimme a break. Two contestants broke the rules (whether accidentally, unintentionally, or unluckily), and had to withdraw, which was only right. But FOUR contestants did everything that was asked of them, from the beginning of their involvement on the show, to the end.  Now this point has nothing to do with who those contestants were, on one side or the other, because that doesn’t matter. It’s irrelevant. If, with circumstances such as they were, anyone broke the rules that were in place to protect EVERYONE, then the only right and fair thing to do was to leave the competition. 

However, to go by the reaction of some (and I mean some supporters of those contestants here, not the contestants themselves, let me be very clear about that), you’d swear that when the two withdrawals occurred, there was absolutely no point in continuing on with the show from that point. The show was slammed in various comments as being a sham, rigged, nothing but a money-maker, and having only useless singers left in it anyway. Pardon my language here, but… bullshit, all of it. 

If you think the rules of anything should only apply to whoever you care about, you’re deluded. If you think the best way of showing your support for someone is by throwing out insults in the direction of others, then you’re an asshole. If you seriously think that a show which has been a hugely valuable platform for new artists for so long should suddenly cease to exist just because your favourite contestant had to withdraw as a consequence of their own actions, then you’re a selfish, deluded asshole. 

And it’s not just for new artists that Glór Tíre has done some service, either. Don’t forget that each mentor gets to perform a full-televised show every year as well. That fact should not be forgotten so easily. Long, long before The Late Late Show began trying to paint itself as an altruistic endorser and supporter of Irish country music – which it isn’t – Glór Tíre was there. While Glór Tíre creates a space for new and emerging talent to begin to make a name for themselves and build a career, The Late Late Show has a view of country music that can only be described as willfully and woefully myopic. The future of the Irish country music scene depends far more on Glór Tíre than it does on The Late Late Show, just as much as the country music as it is today, owes far more to Glór Tíre than it does to The Late Late Show. 

Talk of the show being rigged, or a sham, or just a money-maker are each so equally preposterous as to warrant immediate dismissal rather than too much further time. But also, such ridiculous notions should never be just let slide. So…

Everybody knows the format of the show, and how the voting system works at the outset. It’s no secret. And nobody ever has a problem with it until…again…their favourite supposedly falls prey to something as sinister as…the obvious! Contestants who get the least votes run the risk of being in the bottom two, and having their fate then decided by the judges. If a contestant ends up in that position, that’s not the show’s fault, or the judges’ fault, or any of the other contestants’ fault. The system is the same for everyone, from start to finish. Now, I’m not for a minute saying that I’ve always agreed with every decision that the judges have made, because I most definitely have not. There have been occasions, including this year, when I’ve been left somewhat baffled. But, in those situations the judges are doing their job, and doing so as they best see fit. And that’s exactly what they’re there to do. And their opinions should be respected. Opinions will always differ, after all. That’s the nature of everything. 

Perhaps the most sickening – and stupid – comments that kept showing up in one form or another revolved around the aspersions cast on the ability of the singers involved this year. Just think about that for a moment. Everyone who vomited up such ill-thought-through opinions considered themselves to be better judges of talent than the actual mentors on the show, AND the people involved in the production of the show who go through this process every year. Imagine being able to strut through life with that level of blissful arrogance? Must be some feeling. And every time comments such as those were posted, even if they didn’t actually name any of the remaining contestants, imagine how that felt for the singers who remained in the competition. Because the contestants would have seen them and heard about them, don’t think they didn’t. So imagine how that felt. How it felt for their families. Just think about that for a moment or two…

They’d done nothing wrong. They were just doing something they love, chasing a dream in what is a really tough industry to ‘make it’ in anyway. And yet, they were being subjected to such shameless and unnecessary negativity. 

You can take it as fact that the people who were posting such comments did not – not even for a heartbeat – consider the feelings of anyone except themselves on those occasions. They were angry, they wanted to vent, so vent they did, just playing up to the online crowd by contributing their two-pence worth to a sewer of ramblings and ravings that never amounts to more than the manifestation of a ‘mob’ mentality in these situations. If they were in possession of even a shred of self-awareness, and for even half a heartbeat had thought about what they were writing and saying before finally publishing those comments, the sheer embarrassment of relaising that they were acting in such an entitled, childish, and – in some cases – just plain stupid way, would have been enough to make them delete every word as fast as possible. 

But something else that you can take as fact is that those people would never come out with such rubbish if they ever found themselves standing face to face with any of the people involved in Glór Tíre and whom their comments were directed at. Just wouldn’t happen. Cowards tend to become rather shy when they venture out into daylight. 

Being chosen to participate in Glór Tíre this year (as it is any year) was a brilliant achievement for all concerned. It should have led to a host of moments they could look back on proudly for the rest of their lives, regardless of where their careers do or don’t go following the show. And hopefully all six contestants will be able to look back on some moments that will always warm their hearts to remember. Unfortunately, however, everyone’s experience will have been tainted somewhat by some of the nonsense that polluted the comment sections on so many posts about the show.

One of the main reasons that seems to have allowed this to happen, is that a certain number of country ‘fans’ have come to take the existence of Glór Tíre in our lives, as part of the country music calendar, very much for granted. What a mistake, and what fools. 

Glór Tíre has offered so many artists the chance to perform to a national audience for the first time. And the chance to perform on television for the first time. And sometimes, to perform with the backing of a full, professional band for the first time, too. Opportunities like that are priceless in the development of any new or emerging artist’s career. And, as the show always sees some of the more established artists on the Irish country scene mentoring each year’s contestants, you have a coming together of different generations, with some of those who have already been stars forever and some of those who are the stars of today, meeting and sharing their hard-won wisdom and experience with the potential stars of tomorrow. 

THAT is what Glór Tíre makes happen every year. THAT is what Glór Tíre does for Irish country music every year. 

And none of us should be taking it for granted. It deserves better. 

Long live Glór Tíre. 


Louise Morrissey

First Published July 2021


LOUISE MORRISSEY has long been one of the most loved artists on the Irish country music scene. Respected by her peers, and looked up to by younger and up-and-coming artists, you would need to travel a long road to meet someone who better personifies all that is traditionally regarded as being best about country music.

With a voice that you could listen to from one end of the day to the next, and songs that will have your feet taking on a life of their own, can stop your in your tracks as you’re softly called back to another place and time, or that fill your heart with all the light of love in so many forms, Louise has a place in the hearts of Irish country music fans that she’ll never have to worry about. 

And those fans will be back wearing smiles they can thank Louise for later this week as she releases her brand new single. I’ve been lucky enough to have had a sneak-preview of WE RISE AGAIN (written by Leon Dubinsky),and let me tell you this, folks, it’s a BIG song from Louise. I also had the great pleasure of sitting down for a chat with Louise last weekend, and to get things underway, I asked her how she came to find the song, and why she decided to cut it right now? 

“I was sent the song last year, once the lockdown had happened. A friend of mine – Paul Egan – who I’ve known for a long time and would have given me songs in the past to record and who would have suggested songs for me as well, he sent me this. He thought it was something I might be interested in because of the words and what it was about, and because of the times we’re in and all of that, he said this might be worth a listen. He said I might be able to do my own thing with it, put my own stamp on it. Anyway, I really liked it, the chorus especially. It’s got a very strong chorus. So that’s how it came about. Of course, I had to wait a very long time then before I could get to a recording studio because of lockdown and travel restrictions, ya know. I went up to Peter Maher – where I live in Tipperary, Peter is about an hour away, up in north Tipp, up in Cloughjordan – I knew that Peter would have been the right man for this song and for the production and arrangement it needed.”

We Rise Again became a staple of Canada’s pop scene back in the 90s. Recorded by folk group The Rankin Family, the track featured on their 1993 long-player, North Country, becoming a crossover hit by reaching the Top 20 on pop charts, and the Top 40 in the country equivalent. When Louise and Peter were sitting down to plan their approach to the production of We Rise Again, given that it is such a big, anthemic song, what was going through their minds? 

“Well I sent the song to Peter and said,”Have a listen to this.” Straight away, I said to him that it’s not a country song as such, and that’s what I would be known for, obviously. But I also come from the folk scene and I sing a lot of folk songs but with my own little stamp on them, do them in my own style. So I said [to Peter], look, this song needs a certain kind of production. It’s not going to be something that’s specially done for the dancing scene. Sometimes we record songs especially for dancing, but this was always going to be a concert song. I could hear lovely whistles in it, and pipes, it was that sort of vibe. Peter agreed, and we went along with that. The original recording didn’t have that, but I thought it would give the song that lovely sort of Celtic style. And going back to the chorus of the song, that’s what stood out to me straight away. We’ve all had setbacks in our lives, and we’ve all had things happen to us in our lives. But no matter what happens to you, you pick yourself up, dust yourself off, and you get going again. You’ll meet some setbacks or knockbacks over and over again, they might keep happening. But no matter what happens, life keeps going on. We rise again all the time. So I just thought with the times we’re in, with the Covid pandemic, and all of the restrictions, how it’s been for everybody right across the world with people not able to see and meet their families and their loved ones – and people who lost their loved ones as well – but still now things are starting to improve, thank God. So we can bounce back, and we will bounce back. We rise again, ya know.” 

The weeks leading up to a new release are always busy and exciting anyway, with so much to get ready and prepare. And the week just gone had been an especially thrilling one for Louise as she had a brand new video shoot on her schedule as well. She has something very special in store for her fans…

“Yes, I saw the final cut the other night and I’m delighted with it. Again, thinking about the song…we’ve done all kinds of videos, some might be in concert, or you might be out in a dance situation…but I wanted to do something a little bit extra-special with this song. I thought it needed a little drama, and it needed the Atlantic ocean, cliffs, lovely scenery like that. So we (with Steve Bloor) went to Achill Island to film it. We went up on Monday night, started bright and early on Tuesday morning. We were out and on the road at half-seven, and we drove all over the island all day. We climbed up rocks and down rocks, down into coves, up hills to try and get to the little spots we wanted to get the best views. It’s the most beautiful, stunning place, and the weather was gorgeous. That kind of scenery was perfect for this song.”

The last year and a half or so has been a tough time for everyone, and especially the music business. So much so, that a lot of artists have almost withdrawn form the public eye, all but vanishing completely, and we’ve barely heard or seen anything from them. Louise, however, did not take that approach, continuing to release new music in that time-period. I asked her why she thought that was so important to do, not just for herself, but for her fans also…

“Yeah, well for my own sake it was to stay sane! [Laughs]. It was great to be doing something. And when you are bringing out a single, as you mentioned, it is a busy time, you have a lot of things to get organised. But for the fans, who’ve been always there for us throughout the years, and even though this awful pandemic came and hit everybody, the fans are still there and listening to the radio, they’re still fans. They’re still there, still supporting us by watching our videos or requesting us on radio all the time. So it’s for them as well, the new music. All my music is for the fans. Because those people are so important to all of us. None of us would have careers without our fans, it’s as simple as that. So I just wanted to do that. And to keep busy myself as well. I will say that I am enjoying the time-off at home, with no big long journeys in the car or anything like that. You don’t miss that [laughs]. But you do miss the people. So it was nice to keep doing something, and I really enjoyed getting back up to the studio a few weeks ago to record that song. And I had a great time in Achill as well, just to be out, and to be somewhere different, outside of Tipperary [laughs]. Much as I love it! [Laughs].” 

Speaking of being on the road, it’s still hard to know when exactly – or even roughly! – ‘live’ music will return in anything close to the form we’ve always known it. But, looking ahead to next year, by which time we WILL hopefully be back to something closer to some kind of normal again, Louise will be hitting the road with Declan Nerney and John Hogan as part of Declan’s nationwide tour, something I was sure Louise is probably looking forward to already. And just out of curiosity, I wondered if Louise could recall when her last proper gig had actually been? 

“The last gig that I did was about two nights before the lockdown in 2020, in Wexford, in the Talbot Hotel. Declan Nerney was on the show the same night, I remember. There were five or six of us doing guest spots on a country show. And we were all there chatting in the Green Room about Covid and how the country might be going into a lockdown. That was the big topic of conversation on the night. And literally two days later, the country went into lockdown. And that was the end of that! The only other gig that I got to do where I got to work with a band – and the Ryan Turner band is the one that I would work with quite a lot over the last twenty years – we got together to do Glór Tíre last November. That was the only show that I got to do, and haven’t got to do anything since. Just one or two little bits, contributions to charity events online where I would have pre-recorded something at home. But that’s it. No ‘live’ shows since. It’s an awfully long time to be not doing your job.” 

So when it comes to finally getting back up on stage again, when Louise hits the road with Decland and John in 2022, I imagine moments like that are going to be very emotional for a lot of people? 

“I think it will. And I’m really looking forward to the tour and looking forward to working with Declan and John. We’ve all known each other a long time, and worked on different shows together over the years. But this is the first time we’re going on an official tour with Declan. We’re going to be doing lovely theatres and concert venues around the country. I’m so looking forward to that, to catching up with the boys, catching up with the band members, catching up with all the fans that are going to come to those shows. It will be lovely just to get doing that again. I was joking at home recently, I said God, will we all be gone too nervous to go back on stage! [laughs]. We’re away from it so long! But I think, with music – like a lot of things – you fall in where you left off. So it’ll probably feel like it was just last week [since our last show]. I think that’s the way it will be.” 

Louise, Declan, and John are all part of the same generation of Irish country music stars. But in her role as a presenter on Tipp Mid-West, Louise gets to hear and see many of the new and younger artists who will become the next generation of country stars. I asked Louise for her thoughts on the talent that’s out there on the country scene right now, and also to tell me about her show, Lunch With Louise…

“Yeah, I love it, I’m there almost a year already, I can’t believe that I’m presenting the show. It’s on every Friday from twelve-to-two on Tipp Mid-West. That was just like a lifeline for me as well, when that opportunity presented itself for me to go in and do a show. Like we spoke about, I was at home, there was nothing happening, we were in lockdown. So it was fantastic to get that opportunity to go in and present a show and play all the Irish country, because most of my show is Irish country. I’d play one of two of the American artists as well, but I end up sticking with the Irish country because of the requests that come in. It took me a little while to settle in and to learn how to use all the controls and work everything so that I could work away on my own, and that’s what I do now. Now I do still press an odd wrong button here and there [laughs], but it’s all part of ‘live’ radio. It keeps you on your toes! But yeah, it’s lovely, and I’m on all the presenters’ mailing lists now so every week there’s new stuff being sent to me from all the new artists. And it’s lovely to get it, ya know, because that was where I was years ago starting out. I think there’s more opportunity for airplay nowadays as well, with all the great radio stations all over the country. We didn’t have as many when lots of us started out. So that’s great. And all the young singers, they’re going in and they’re recording the best of stuff, in with all the best producers and coming out with good stuff, it’s great. They’re starting off the right way. And I know it’s expensive too, it’s very expensive to record. But it’s a tool of the trade, if ya like. It’s just something that you have to do if you want to get out there.” 

Something that I’ve been noticing a lot more recently, and perhaps it’s because I’ve been paying attention to how often it seems to be happening in the music business in general (a BIG shout-out to Linda Coogan Byrne and her Why Not Her? team for their work on this here in Ireland) and in American country music, is how many shows are dominated by male artists. You can see line-ups with five, six, or even seven male performers, and maybe just one female artist in amongst them! Now, as Louise and I both know well, there are SO MANY amazing female artists in Ireland, from brand new to rising stars, and from the already well-established to those who have long been household names. So personally speaking, I just can’t understand how anyone can put together a show with such an unbalanced line-up, look at it, and think to themselves, ‘Yeah, that’s the finest. Job done, nice one!’ I asked Louise for her thoughts on this subject.

“It is something I would have noticed from time to time when you see that somebody puts up a poster for something, or in a newspaper for some upcoming event or show, or festival, whatever it might be. And yeah, very often there’s only one female singer on the show. I don’t know why, to be honest. Because as you already said, there’s some fantastic female artists out there in Ireland. That’s something that I’m very conscious of every week with my radio show, that I play a lot, or as many of the girls as I can fit in, with the boys as well. It’s important. The girls are putting in as much effort as the boys are. If they go in to record, it’s costing them as much as the boys. And if anything, the girls, with style and clothes, and make-up and everything, ya know, it can be costly. But I just don’t know why it is. I suppose, maybe some people would say that the guys will get a big female following straight away so then the husbands or the boyfriends bring them to the shows because they want to see their favourite male singer, ya know. Some people would have the idea that that’s a lot of it. But I honestly don’t know. I mean, I know that I would have a lot of female fans out there as well, and always had. But the scales should be balanced better, there should be more women on the shows, on any show.” 

I point out the importance of young female artists, or girls and women even before they become artists, needing to see other women doing what they too dream of doing, to see and know that it’s possible, and Louise agrees…

“They do. And it’s like any job, you have to learn your trade and get experience. And the only way you can do that is by being on shows. And yet, you do see a lot of situations where there’s only one girl on a show of six or seven artists. I would love to see more girls getting work as well, and for the scales to be more evenly balanced.” 

A lot of artists we’ve spoken to, including Nathan Carter when we spoke with him a few months back, have mentioned how this whole time of Covid has seen them reevaluate how they intend to do things when we make it to the other side. With Nathan, for instance, he shared that he probably won’t be on the road as much, having had a chance to do some other things during this break. I wondered if this time had changed Louise’s perspective on how she plans to enjoy music and life from now on? 

“It has, definitely, without question. Before Covid and lockdown came in, you could see how busy some bands were, and it was like helter-skelter, six nights a week, all through the year. Which was fantastic to see, ya know, people being busy. But I think it’s very important that you make time for yourself, and make time to have a life for yourself outside of your job. You shouldn’t work seven days a week, all year round. Everybody needs to spend time with their husband, their wife, their boyfriend, their girlfriend, their family, their friends, and to be able to do that. And just have a little bit of time to yourself at home, to do the things that you want to do, and have some other hobbies outside of your job. That’s definitely something that has come about for me in the last year and a half. I would have thought back on some of the years when we would have worked so hard, and I’d think God Almighty, how did we do it at all?! I hadn’t time to bless myself, really [laughs]. But please God things will open up, and there’s light at the end of the tunnel now, so when things open up again I’m going to cut back, definitely. I’ll pick what I want to do, and just do so many in a month, that kind of thing, and have a lot more time at home. My husband was sick during the lockdown, he had surgery in January, and I’m glad that I was at home, to be there to look after him when he came home from hospital. It was a tough time for him. And when he was in hospital, I couldn’t get to see him, as was the situation for everybody that had someone in hospital. And how dreadful it was for anyone that lost loved ones during Covid, and couldn’t get to see them, a dreadful situation. But, I still obviously want to do my music, and from now on it’s going to be just concerts. And I’m not going to do long stints away from home anymore, either. I would have done it before where you’d go away on a tour and be gone for maybe three weeks at a time, I’m not doing that anymore. I just love my time at home, but I want to work as well. So there’s going to be a very happy balance.” 

Before we wrapped up, I asked Louise if she had any message for the fans that she hasn’t been able to see in person for so long, but – hopefully – will be seeing again in the not too distant future? 

“I want to say a big thank you to all of them for their continued support throughout the years, and through the lockdown as well, fans have continued to support all the artists by requesting us on the radio, and watching our shows on YouTube and Facebook, on everything. They were fantastic people to come out and support the shows before lockdown as well, and we know we’ll be seeing them again when things open up. And I’m looking forward to seeing them all again and catching up with everybody. Because we’ve missed everybody, we have. And I know they’ve missed all of us too.” 

WE RISE AGAIN, the brand NEW single from LOUISE MORRISSEY, will be available from all digital platforms from July 9th, and to request from radio stations nationwide from July 12th. The video for We Rise Again will premiere on Louise’s official Facebook page on July 17th. Louise will also be performing at the Star Trax music venue’s Drive-In Country Show in Cork on July 25th. In an event hosted by Hot Country TV’s Hugh O’ Brien, Louise will be joined by Olivia Douglas, TR Dallas, and Paddy O’ Brien, all backed by the Glen Flynn Band. See Louise’s Facebook page for full details.